Sunday, 10 February 2008

my favorite comedy explained



My Favorite Comedy, Explained

The folks at the wonderful site Newcritics are holding a Comedy

Blogathon from November 6-11 and they have asked me and other bloggers

to answer the question, "What is the purest comedic moment you have

ever experienced?" (And they are also calling for entries from anyone

and everyone who wants to participate. Answer the question on your

blog and send your links to M.A. Peel at josquin21@aol.com.) Because

Jon Swift is a nominee for Funniest Blog in the 2007 Weblog Awards, I

often get asked, "What's funny?"

Of course, nothing makes comedy funnier than to explain it. I often

find that I don't get a lot of jokes until someone explains why they

are funny, and sometimes not even then. According to scientists, this

is the world's funniest joke. I still don't know why it's funny, but

when I find out, I will probably laugh for a very long time.

The study of laughter is called Gelotology, after the Greek word for

JELLO, nature's funniest food. Aristotle believed that only humans

laugh, but scientists have discovered that other primates, rats, dogs

and, of course, hyenas also emit sounds that might be called laughter.

Although cats do not laugh out loud, many scientists believe that they

are quietly snickering at us on the inside, though this has not been

proven definitively. At one time physicians believed that laughter

could be therapeutic. Reader's Digest even had a column once called

"Laughter Is the Best Medicine," but most reputable scientists

abandoned this theory after the movie Patch Adams actually made many

people sicker. In fact, a number of people have reportedly died

laughing, including Pecos Bill, King Nadabayin of Burma, Damnoen

Saen-um, a Thai ice cream truck driver, and Alex Mitchell of King's

Lynn in Norfolk, England, whose last laugh was triggered by a Scotsman

fighting a black pudding with his bagpipe. Comedy is a serious

business and could be dangerous if not handled carefully.

In order to scientifically analyze just how comedy works I'm going to

dissect one of Woody Allen's funniest films, which is probably my

purest comedy moment. Unlike many critics, I prefer Allen's older,

funnier movies and I don't think he has ever topped his 1978 comedy

Interiors. Interiors, which is about the madcap antics of three

artistic daughters (Diane Keaton, Mary Beth Hurt, Kristin Griffith)

dealing with the disintegration the marriage of their parents

(Geraldine Page, E.G. Marshall), was influenced by the films of Ingmar

Bergman and Michelangelo Antonioni. Bergman and Antonioni were often

considered to be the pranksters of European art cinema until their

recent deaths within a day of each other, which may have been their

final practical joke.

A lot of Interiors' humor comes from the cinematography, which can

make or break a comedy. Interiors takes place for the most part in

darkly lit interiors (a visual pun, get it?) and uses a lot of black

and white, which are probably the funniest colors. That is why

black-and-white comedies are usually funnier than color movies. The

movie also uses a lot of red, which is the third funniest color. The

least funny color, of course, is blue, which is why getting the blues

means being really sad. Green is also a not very funny color (which

explains the name of the completely humorless Green Party), while

orange is usually good for a giggle or two. There is quite a bit of

controversy about yellow, however. Is yellow funny? That is a question

that has haunted jokesters for centuries. I think yellow can be funny

if used sparingly. A dollop of mustard skillfully applied, for

example, can be quite comical.

Another thing that makes Interiors such a rib tickler is that the

characters hardly ever laugh. A joke is usually funnier if the person

telling the joke keeps a straight face, which is why Harvey Korman and

Tim Conway on The Carol Burnett Show were so excruciating to watch, as

you can see for yourself in these very unfunny clips. The actors in

Interiors play it straight all the way through, which just makes the

comedy build and build. If you watched Interiors with a laugh track it

would be a completely different film. Allen must have done multiple

takes of some scenes so that the actors did not crack up in the middle

of a scene and break character. I would love to see a blooper reel of

Interiors to see if I'm right.

There is one scene where the characters laugh at a joke that has just

been told, but we don't hear the joke, which is yet another example of

Allen's genius. Although it may sound counterintuitive to a layman,

many experienced comedians will tell you that actually telling a joke

can sometimes ruin the joke. I can't tell you how many times I have

seen young comedians who didn't understand this simple rule and

insisted on telling a joke when they would have been much better off

not telling the joke at all. Not telling the joke forces the audience

to imagine what the joke might be, and nine times out of ten the joke

they imagine is much funnier than any joke the comedian could have

told.

Although Interiors is usually known for its slapstick and physical

comedy, the wit of Allen's dialogue should not be underestimated.

Allen is an expert at comedic wordplay and there is no shortage of it

in Interiors. One line that always slays me is when Mary Beth Hurt's

character says, "At the center of a sick psyche is a sick spirit."

What makes this line so funny? It's obvious to anyone who knows

anything about comedy. Give up? It's the alliteration of the "S"

sound. S is probably the funniest letter in English, followed by the K

sound, which also appears in this line, compounding the hilarity. (In

Cyrillic Zhe (ZH) is the funniest letter and in the Xhosa click

language it's the "ngq" sound, although some experts make a convincing

argument that the glottal fricative "hh" is even funnier. It may just

be a matter of taste.)

The number three appears a lot in Interiors and this is no accident.

As any funnyman will tell you, three is the sacred number of comedy.

There are always three people walking into a bar, not two and not

four. The number 276 is also pretty funny but it's hard to work into a

joke so it is rarely used. A joke in which 276 people walk into a bar

would certainly be funny, but it would take a very long time to tell.

Some mathematicians claim that the imaginary number 3i is also very

funny but no one has yet been able to work it into a joke, as far as I

know, although some students at MIT reportedly have tried.

In a recent episode PBS's American Masters about Peanuts creator

Charles Schulz, Schulz said that what makes people laugh is suffering.

I think Woody Allen would agree and what he once said about life could

also be said about his film Interiors, that it is "full of misery,

loneliness, and suffering -- and it's all over much too soon."

I have to admit that the first time I saw Interiors I did not get a

lot of the jokes. I remember my initial reaction to the film was, "Is

this supposed to be funny?" It was only after seeing the film a number

of times that I began to realize just how funny it was. Often it is

the case that if a comedy is not funny the first time you see it, it

becomes funny after you watch it again and again and again. This film

taught me everything I know about comedy and made me realize that if

your first reaction to a joke is "Huh?" that often means that it is a

very good joke indeed. In fact, the world's oldest joke is a Jewish

joke found in a clay jar and written on ancient papyrus not far from

where the Dead Sea Scrolls were found. Scholars are still studying

this joke and not one of them has laughed yet. It may turn out to be

the best joke of all.

Crossposted at Newcritics. Illustration by Blue Girl.

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